Applications to join Nonclassical AiR have now closed. The next round of applications will open in 2025.

Are you a composer looking to take the next step in your career?

We're looking for four UK-based composers who display exceptional ability and potential to join Nonclassical’s Air (artist in residence) in 2024/25. THIS PROGRAMME IS SUPPORTED BY THE JERWOOD DEVELOPING ARTISTS FUND, PRS FOUNDATION’S OPEN FUND, VAUGHAN WILLIAMS FOUNDATION, SAMUEL GARDNER MEMORIAL TRUST AND GARRICK CHARITABLE TRUST.

Nonclassical’s AiR supports the artistic development of unsigned and unpublished early-career composers, who are creating exciting new contemporary classical, electronic and experimental music.

The scheme has been developed to give four early-career artists a 360-degree view of what it takes to be a composer in today’s musical landscape. One of the four artists will be supported to gain notation skills, and therefore artists with no experience with notated work and/or classical training are encouraged to apply.

Associate Composers 21-23 (L-R: Atefeh Einali, Elischa Kaminer, Emily Abdy, Simon Knighton)

Previous Associate Composers have since received commissions from Huddersfield Contemporary Music Festival (hcmf//), BalletBoyz, LA Philharmonic, London Philharmonic Orchestra and Philharmonia Orchestra; as well as being Royal Philharmonic Society prize winners, received fellowships and residencies at Tanglewood Music Center and Snape Maltings, and been part of the LPO Young Composers Scheme.

Find out more about our Associate Composers 2021-23 >>>

Find out more about our Associate Composers 2019–20 >>>

Find out more about our Associate Composers 2016–17 >>> 

 

WHAT NONCLASSICAL AIR offers:

Associate Composer 19-20 Lola de la Mata performing at her curated Nonclassical event The Gaze. Photo by Dmitri Djuric.

Associate Composer 19-20 Lola de la Mata performing at her curated Nonclassical event The Gaze. Image © Dmitri Djuric.

  • A paid commission (at MU rate or above) to write a 3-5 minute orchestral piece for Southbank Sinfonia or Her Ensemble, premiered as part of their 2025 programme.

  • Support to develop notation skills/engraving for one composer with no classical training, with a budget of £1000.

  • A paid commission of £2000 to write an open score piece for the Contemporary Music for All Festival in March 2024.

  • The opportunity to record a track for Nonclassical’s compilation EP series Outside the Lines.

  • The opportunity to contribute to Nonclassical’s programme of curated events.

  • Professional mentoring, training and coaching sessions from established composers and industry figures shaped around your interests, skills gaps and goals.


We are looking for:

  • Composers over 18.

  • UK-based composers.

  • Early-career artists. For more information on what counts as early career please read Jerwood Arts’ definition here.

  • Composers who do not have a recording or publishing contract.

  • Composers who will not be in formal education (undergraduate or postgraduate, including practice-based PhD) for the duration of the scheme.

  • Composers who have never received a paid orchestral commission.

  • Artists displaying exceptional ability and potential from any genre and/or musical background who can work with notated music – this does not have to be traditional Western musical notation, and may include practices such as graphic notation, text instruction scores or workflow from a DAW.

  • Candidates whose career and artistic development would significantly benefit from this opportunity.

  • One of the four places on the programme is ringfenced for composer with limited or no experience with notation, or without classical training. This composer will receive additional support with their notation work.

  • One of the four places on the programme is ringfenced for a marginalised gender composer.

We particularly welcome applications from underrepresented and/or marginalised groups in music, including but not limited to marginalised gender people, Black, Asian or ethnically diverse, and/or disabled artists.

The programme requires an ongoing, part-time commitment over the course of 18 months (from October 2023 to May 2025). We understand participants are likely to want to balance their activities with other commitments. 

Nonclassical will also provide a budget of financial support to remove any barriers to participation; this includes travel, accommodation, childcare, assistance. Individual circumstances will be taken into consideration upon offer of a place on the scheme.


How to apply 

Applications have now closed for Nonclassical AiR.

Applications will be assessed by the Nonclassical team with support from a diverse panel of external advisors. The panellists are: Natalia Franklin Pierce (Nonclassical), Marcella Keating (Nonclassical), Gabriel Prokofiev (Nonclassical), Yung-Yee Chen, Shiry Rashkovsky, Sam Mackay, Ellie Consta, and Yfat Soul Zisso. Decisions will be made in line with Sound and Music’s Fair Access Principles.

Eligible applicants will be selected by Friday 29 September 2023, based on the following criteria:

  • The craft and originality of submitted musical examples.

  • Responses to our application questions.

  • The perceived impact the scheme could have on the applicant’s career and artistic development.

  • Seeking a diverse cohort of four to complement each other, in terms of musical styles, ethnicity, gender and age.

All shortlisted candidates will have the opportunity to request feedback. If you were not shortlisted, feedback will unfortunately not be available due to staff capacity.

If you have any questions about the process or your suitability, please contact blue maignien on blue@nonclassical.co.uk.

FAQs

If you are not sure about your eligibility or have any other questions not answered below, please get in touch with Blue at blue@nonclassical.co.uk

Application Questions

Please note requirements are provided here for preparation purposes and must be submitted via the online form linked above.

  • Please provide an artists biography and/or CV
  • Please share links to two examples of your work (ie Dropbox/Soundcloud/YouTube etc). We require at least one audio file of your music (a software/MIDI recording is fine) and at least one example of your notation practice (ie a score of any kind). Please note we cannot accept downloads.
  • What attracts you to Nonclassical’s Associate Composer scheme? How do you hope it will make a difference to your career and practice? (1,000 characters max)
  • What interests you musically or otherwise that might inspire a commission for orchestra? (1,000 characters max)

What constitutes as a paid orchestral commission?

An orchestral commission which has been paid at or over Musicians' Union rates, premiered by a professional orchestra. If you have recieved an orchestral commission as part of an educational institution or scheme you are still eligible to apply.

How do you define unpublished and/or unsigned?

We define unsigned artists as those who do not hold a multi-year and/or exclusivity contract with a record label. We define unpublished artists as those who don't have a full catalogue and/or exclusive publishing contract with a publisher.

I am UK-based but currently living abroad – can I apply?

If you have a UK residency and are temporarily living elsewhere due to Covid-19 then you are still eligible to apply. Please note that over the course of the scheme you will be expected to travel to London, Nonclassical can only supply travel expenses within the UK. Nonclassical are unable to pay or sponsor Visa expenses.

What accessibilty provision is in place?

Individual circumstances will be taken into consideration upon offer of a place on the scheme. We recognise that artists/creatives with disabilities and/or access requirements are under-represented in the arts and may require additional support throughout the year. Successful applicants will be invited to submit an access document to outline their support needs. This is so that we can assess your needs in order to to ensure that you have equal access to work. We will also regularly consult with the Associate Composers throughout the scheme to monitor their needs and assess any change in circumstance. Nonclassical endeavour to support every composer and make the scheme accessible to their needs. This includes a budget of reasonable financial support allocated towards their access requirements. Please get in touch with blue@nonclassical.co.uk if you have any questions.


NONCLASSICAL AIR IS SUPPORTED BY THE JERWOOD DEVELOPING ARTISTS FUND, PRS FOUNDATION’S OPEN FUND, VAUGHAN WILLIAMS FOUNDATION, SAMUEL GARDNER MEMORIAL TRUST AND GARRICK CHARITABLE TRUST.


In partnership with Southbank Sinfonia, Contemporary Music for All (coma), her ensemble and Zeitgeist.


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Application and selection process in accordance with Sound and Music’s Fair Access Principles