Championing the unusual, the unorthodox and the unheard, Battle of the Bands is nonclassical’s emerging talent platform for early career performers 

Battle of the Bands is back! Returning in March 2026 after a two-year hiatus, Battle of the Bands showcases new voices in experimental, electronic and contemporary classical music. For one night only at a venue in London, five artists will perform a set to an enthusiastic audience and a panel of industry leaders and artists.

Supporting early career artists

Supporting emerging artists and their creative output is a key part of our core values. Battle of the Bands supports artists at the start of their career by giving them a platform to perform, exposing their work to new audiences and enabling vital feedback from key figures in the industry. We define emerging artists as those with less than a total of ten years’ experience – this does not have to be ten consecutive years of practice, as we recognise that breaks are common.

Previous winners and finalists have gone on to become vital forces on the wider music scene:

  • The Hermes Experiment (2014 winner) have won numerous awards and recently released their third album on Delphian Records, Tree

  • Mantawoman (2019 winner) regularly plays with Yo-Yo Ma’s Silk Road Ensemble and is a unique voice on the new music scene, including through their work with Chinese new music collective Tangram

  • Ben Nobuto (2020 finalist) has since been commissioned by leading ensembles such as Manchester Collective, BBC Proms, Birmingham Symphony Orchestra, and Ligeti Quartet, as well as Nonclassical in our 20th birthday year

  • FRIENDLY BOOTS aka Harry Górski-Brown (2022 finalist) became a Nonclassical AiR in 2023, and has since performed at Unsound Kraków, Méteo Festival and Centro Pecci, as well as releasing an acclaimed debut album on Glasgow-based label GLARC

Previous adjudicators have included:

  • International composer, producer and Nonclassical founder Gabriel Prokofiev

  • Conductor Jessica Cottis

  • Former BBC Radio 3 Controller Alan Davey

  • Former Head of Music and Performing Arts at Southbank Centre, Gillian Moore CBE

  • Head of Classical Music at Southbank Centre, Toks Dada

  • Pianist and founder of The African Concert Series Rebeca Omordia

  • The late Warp-signed electronic musician Mira Calix

  • Cellist Abel Selaocoe

  • Composer Dominic Murcott

  • Interdisciplinary artist Nwando Ebizie

  • Nonclassical’s Executive Director, Natalia Franklin Pierce


who we’re looking for

We’re looking for bold, emerging artists working within / across experimental, electronic, and contemporary classical music. Artists must be UK-based, 18+, and can commit to a performance in London in March 2026 (date to be confirmed). If you’re unsure as to whether your act is fitting for Battle of the Bands, check out our playlist of past performances here.

The concert will feature up to five sets from different acts. Sets should be no longer than 15 minutes. We will be prioritising sets from solo and duo acts, and all performers will receive a Musicians’ Union rate of £162.30 for the performance.

The winning act will receive mentorship and development opportunities from the Nonclassical team and its extended community, including sessions on:

  • Labels

  • Marketing

  • Event production

All participants will also receive professional photography of their performance, and a high-quality audio recording.


the selection process

Up to five acts will be selected through an open call, run according to Sound and Music’s Fair Access Principles (available to view here). Acts will be selected by a panel watching and listening to the performance examples submitted and the proposed programme, looking at whether it aligns to our mission of showcasing the best new experimental, electronic and contemporary classical music.

In the Google Form, each act must submit:

  • A short biography

  • An outline of their proposed set, up to 15 minutes long (e.g. set list or improvisation, including lengths of pieces)

  • Two example links of their work (video or audio)

  • Tech rider

They must also fill out our Equal Opportunities monitoring form.

Artists can apply with text, video, or audio, but please ensure that all links are viewable and do not expire before the end of January 2026. If you have any questions or need any adjustments, please contact marcella@nonclassical.co.uk.

APPLICATIONS CLOSE AT 10AM ON MONDAY 15 DECEMBER, 2025.


frequently asked questions

Does every member of my group need to submit a separate application?

No, one application per group should be made. We do ask that all group members fill out the Equal Opportunities monitoring form.

Will my chances increase if I submit more than once?

No, each act should only complete the form once. We also ask that participants also only submit as part of one group - for instance, you should not apply as part of a duo and also as a solo act.

What should I prepare?

Sets should be no more than 15 minutes. It’s up to you how you choose to fill that time, although you should have an idea of what you’re going to do when you apply – we’ll ask you for a repertoire list, which will be taken into consideration when shortlisting.

I’m a pianist, is there a piano available at the venue?

We can provide an electric keyboard or you’re welcome to bring your own. There will not be an acoustic piano available (upright or grand).

I’m an electronic musician, what tech is available at the venue?

There’ll be a sound technician on the night and the venue itself is set up with microphones, monitors and speakers. Time is often tight on the day so a complicated setup will be tricky, but you can always double check with our Events Manager if you’re unsure. You should submit your tech rider when you apply, and we will let you know if it is unfeasible.


APPLY NOW

 

While there are many open-call opportunities for composers, there are very few for performers of experimental/contemporary music in this country, making nonclassical Battle of the Bands a rare chance to showcase work in the experimental music sphere. Being part of the 2020 final of Battle of the Bands had a direct impact on my career, leading to new collaborations and a rise in gigs. I am grateful to have been part of it, and very happy this competition exists! 

– Rosie Middleton, 2020 runner-up

support us

Thanks to the Hinrichsen Foundation for providing seed funding for this vital project.

The true costs of running Battle of the Bands are considerable: we are looking to raise an additional £3,000+ through tickets, donations and sponsors. These funds will enable us to offer more support and development opportunities to our finalists.

If you’d like to get involved in supporting the future of new music performers as a sponsor, donor or partner, please get in touch with Alice at development@nonclassical.co.uk.

You can also donate directly here. As a charity, all funds go straight back into our work supporting emerging artists to make new music.

We are grateful to previous supporters and donors of this programme, including those who wish to remain anonymous, including the PRSF Open Fund and Talent Development Network.


Past competitions

2023

Adjudicators: Alan Davey CBE, Toks Dada, Nwando Ebizie, Natalia Franklin Pierce, Gabriel Prokofiev.

Finalists:

  • Kemal Yusuf
  • Vulva Voce
  • KOGG
  • Recycled Materials Trio
  • Anders Waller, Alex Lyon + Hannah Thomas
  • Julia Set

Winner: Vulva Voce

Special commendation: KOGG

2022

Adjudicators: Alan Davey CBE, Mira Calix, Natalia Franklin Pierce, Rebeca Omordia, Gabriel Prokofiev

Finalists:

  • red panel
  • Balladeste
  • FRIENDLY BOOTS
  • Joanne Chiang
  • East London Sound Ensemble
  • Rothko Collective

Winner: Rothko Collective

Special commendation: red panel

2020

Adjudicators: Natalia Franklin Pierce, Gillian Moore CBE, Gabriel Prokofiev, Abel Selaocoe

Finalists:

  • Yorgo Stenos
  • Lara Jones
  • James McIlwrath
  • Rosie Middleton
  • Nobuto
  • Ret Frem

Winner: James McIlwrath

Special commendation: Rosie Middleton

2019

Adjudicators: Eleanor Ward, Dominic Murcott, Jessica Cottis

Finalists:

  • Joe Bates
  • James Hurst
  • Reylon Yount
  • Scordatura: Women's Music Collective
  • 4|12 Collective
  • Rita Says and the Jerico Orchestra

Winner: Mantawoman

Special commendation: James Hurst and Scordatura: Women's Music Collective

2018

Adjudicators: Eleanor Ward, Gabriel Prokofiev, Dominic Murcott, Alan Davey

Finalists:

  • The Improvisers Choir
  • Andy Ingamells
  • Tapp duo
  • Simon McCorry
  • David Zucchi
  • RELEASE THE IMP

Winner: The Improvisers Choir

2017

Finalists:

  • Kesia Decote
  • Ajar Ensemble
  • Heidi Heidelberg
  • What Guitar Trio
  • Echoshed
  • Our Eyes Collective
  • La Tache Ensemble

Winner: Heidi Heidelberg

2016

Finalists:

  • Armed with Bow
  • Block4
  • Brian Mark's Ensemble
  • Duo Ex Machina
  • Ensemble x.y
  • MoMa
  • Peter Hai
  • Syzygy

Winner: Ensemble x.y

Special commendation: Block4

2015

Finalists:

  • Kirsten Morrison
  • Ruby Colley
  • Jecklin
  • Brian Mark
  • An Ending Ascend
  • Duo Ex-Machina
  • Made of She
  • Georgina Brett
  • Fluid Motion

Winner: Jecklin

Special commendation: Made of She

2014

Finalists:

  • Dan Shao
  • The Hermes Experiment
  • Jon Russell
  • Iyatra Quartet
  • Broca Ensemble
  • Maria Christina and the 7 Pedals
  • Junk DNA
  • Georgina Brett
  • Fluid Motion

Winners: Dan Shao, The Hermes Experiment

Special commendation: Iyatra Quartet

2012

Finalists:

  • Kate Symonds-Joy
  • Sideris Wind Quintet
  • Marylebone Wind Quintet
  • CN Lester
  • Pretty Tensions
  • London Soundpainting Quintet
  • Stephen Crowe
  • Richard Norris

Winner: Kate Symonds-Joy

2011

Winner: Tempest Flute Trio

2009

Finalists:

  • Consortium5
  • VOICE
  • The Heath Duo
  • improv trio
  • Rosie Coad & Michael Oliva
  • Oconomy
  • Nineteen-ninety-four

Winner: Consortium5

2008

Winner: Mercury Quartet